Rio 017 - Chez de Milo (recorded live at Bonanza 2025)

Chez has a style that is hard to put your finger on, as Rio 017 well demonstrates. Recorded on the opening night of Bonanza, Chez kicked the terrace into action with a chuggy but cheerful selection of swampy groovers.

Moving seamlessly from heads down tech house to breaks and EBM-ish numbers, Rio 017 is peppered with flecks of acid, swaying basslines and plenty of character.

One to keep the summer flowing xx

Rio 016 - Que Sakamoto

The 16th part of our podcast puzzle comes from Que Sakamoto.

The nomadic Japanese DJ and producer and self proclaimed "party ninja" serves up 3 hours of peak-time breaks, trance, tech house and techno, recorded live in March 2025 at the Rio. There is a certain quality that courses through his DJ sets that is hard to pin down; psychedelic? Definitely. Playful? Of course.

It's fair to say that a lot of the music Que plays you won't have heard before and most likely won't hear again. He's always got his own unreleased bombs up his sleeve, plus plenty of Japanese rarities that just hit each time. Dive in to the world of Que Sakamoto.

Rio 015 - Adi (recorded live at Bonanza 2025)

Taking over after Nicolas Lutz playing a magnificent sunrise set to a packed terrace is no easy task, but Adi made easy work of it on the Sunday morning of Bonanza this year.

Kicking off at 7.30am, Adi never let the energy dip, working through house, electro and techno all underlaid with her trademark acidy sound palette.

Listening back, this captures the sun-kissed energy of that morning perfectly.

Listen on SoundCloud

Rio 014 - Ivan Smagghe (recorded live at Bonanza 2025)

Mix number 14 in our series, and the first live recording from Bonanza 2025 from none other than Ivan Smagghe.

Recorded on the Sunday night of the festival, Ivan ushered the terrace through the penultimate set, handing over to Unai Trotti just before the light began to creep in over the river for the final sunrise of Bonanza. This is Ivan in deep, trippy and bewitching mode, just how we like it.

In his own words, “I am always unsure recordings translate what happens in the moment, but people like them”. Hopefully some of the electricity from what was an incredibly special experience at the time trickles though your speakers at home xx